And you westerners coming here, students and staff.
- It is not that Hurston was not a political writer but that the politics of her writing came from a greater appreciation for the culture and values that black Americans had developed than for the culture from which they were often painfully excluded.
- In fact, though, the stories within the book celebrate a bond of cleverness and zest that the people of the South she chronicles share with the folkloric animals about which they tell stories.
- If Hurston thought that blacks should be wary of what integration had to offer, it was because she valued so highly what black culture had to offer and feared the possibility of black culture getting lost in an attempt to homogenize society.
- Poverty in the Eatonville she portrays is more likely to be the setting for a story or a joke than a cause for concerted political action.
- The entire section is 4, words.
- The order in which the tales are related is ostensibly random, simply the order in which people told them to her, but as her biographer Robert Hemenway points out, and as inspection of the text reveals, the clusters of the stories are, to some extent, thematic.
- John is a consummate trickster figure who, though he will often engage in hard physical labor, always triumphs through the power of his wits, and occasionally, good luck.
- Part 2 is written as series of profiles of individual Hoodoo doctors.
- If Hurston thought that blacks should be wary of what integration had to offer, it was because she valued so highly what black culture had to offer and feared the possibility of black culture getting lost in an attempt to homogenize society.
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